MÊHLÊ ‘Carte Blanche’ SS ’15 collection
28th Jul 201409:36119 notes

Untitled, 1977, from Larry Sultan and Mike Mandel’s Evidence, 1977
27th Jul 201403:01600 notes
27th Jul 201402:551,679 notes

27th Jul 201402:544,805 notes

Chris Enos
26th Jul 201414:46836 notes

Gisele Bündchen at Hussein Chalayan S/S 1999, “Geotropics”
26th Jul 201414:46603 notes

Kay Frank Spring 2014
26th Jul 201401:24318 notes

mark borthwick
25th Jul 201414:29760 notes
25th Jul 201414:22244 notes

A model in a glass case wearing gold diamond encrusted boots to the value of 3.5 million dollars during the A.F. Vandevorst show.
25th Jul 201412:303,773 notes

24th Jul 201416:34343 notes

Ingrid Van de Wiele spring—summer 1998.
Ingrid Van de Wiele took her first steps in the fashion world more than ten years ago, but since she launched a collection under her own name onto the market six years ago, those steps have become great strides. She now has sales outlets all over the world and her own shop in Antwerp and Tokyo. 
The striking elements in Van de Wiele’s collection are the pure lines, the perfect finish, the restrained colours and the redefined materials. Her clothes tell the muted story of the quest for the perfect form, and the adept use of nips and tucks. This quest is halted momentarily for the presentation of new summer and winter collections and is then meticulously continued. Materials are given a new use: like the textile wallpaper with the appearance of imitation velvet, aluminium thread combined with nylon for a blouse, paper for a jacket. The colours are restrained (black, grey, beige, white) so that the material becomes almost intangible and nothing interferes with the purity of the form.
24th Jul 201416:31389 notes

Photographed by Jonty Davies for Marie Claire US October 1998
24th Jul 201416:294,608 notes
24th Jul 201401:2215 notes

Vlada Roslyakova at Rick Owens S/S 2007
23rd Jul 201418:37313 notes
Opaque  by  andbamnan